Learning the Magic of my Ancestors - part 1

So much has been happening - and so little time to wrap things up in writing and share with you. My apologies. But let me try to make up - and share things as they happened, step by step... What we will embark upon together if you like is an expedition into magical workings with my ancestors. More specifically with a female ancestor of mine living in a city built of clay... 

Below is the story of how it all began. Since this first encounter I did three further visits which I will share shortly with you. I have learned a lot since then from the lady at the loom. And I guess what started as curiosity about an exercise in a book is slowly coming to life in a relationship across millennia of time... 

Since reading Josephine's book Magical Knowledge II I have been fascinated by her approach to magic - and most of all by the types of ancestral workings she explains. So after experimenting with using the Void as a gateway to the inner realms, I started out to explore my own bloodline... Here is the account of the first expedition.

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Today I undertook my first ancestral journey through the Void according to Josephine's instruction. Unfortunately I had her book borrowed and so I had to recall the flow of the exercise by heart - which might be a good thing considering this is a journey through the time buried in my own blood.

Anyway, currently staying in the hills of wonderful Liguria I found myself a remote place behind a cemetary in the olive groves. I laid out a circle of small stones, sat myself on the bare ground and placed a small kitchen cup on a flat stone in front of me. I sprinkled water into the four directions ofthe sky and pouered therest into the cup. Finally I anointed the front and the back of my head with the water and sank into meditation.

My bloodline - some stuff I did with clay

and cherries fallen from a tree after my

first ancestral journey... 

After a while I found myself in the Void. I relaxed and enjoyed the darkness and space around me, void of any borders or objects restraining the flow of quiet consciousness. My right hand appeared out of darkness in front of me; I took a knife and made a deep cut into it... Blood immediately poured out, started to cover the ground below me and formed a current that dragged me backwards. I briefly thought that this makes perfect sense as my plan was to flow


in time. Then I let go and allowed the stream to carry me with it in its current... After a while I emerged out of the Void in a stream that led through a rough, desert-like scenery. The riverbed was carved deep into the sandstone and the shadows of the cliffs protected it slightly from the piercing sun. 

At some point I felt the urge to get out of the water. I climbed out of the stream and walked through the desert. Behind some dunes I discovered a tribe of shepherds who sat around a fire that had burned down to a pillar of smoke raising into the sky. I sat next to them and allowed their voices to adjust to my ear. I asked them what my relation was with them. They looked surprised and answered I was just one of them; a shepherd in their tribe. I asked for their priest and they told me to enter a black tent behind them. So I did. Inside I found the contours of a big person wearing a wooden mask and sitting in the back of the dark tent, half covered in cold sand. I asked something I forgot - and got a vision of his mask coming to life and bending towards me in a scream as a reply. I left the tent, walked back to the stream of blood and jumped into it again. Immidiately it carried me further backwards in time....

At one point I got caught in a fish trap. Somone took me out of the water and stabbed me into the stomach with a black, triangular knife. Then he put some pounded herbs into my mouth. Both the wound in my stomach and the herbs disappeared at the same time. The men was wearing his hair and beard in the knotted style of the Chaldeans or Assyrians. Through the desert he took me to a town build from clay. We entered the city through a huge portal. Under the arc of the portal on my right I could perceived the ghost of the guardian spirit of the portal. He remained calm and only chattered his teeth... 

On entering the inner city I immediately realized the huge


forming the center of the town. It raised high above the other buildings and most streets seemed to lead directly towards it. So did the one we walked on. The fisherman took me to a small house on one of the main streets. Inside of it was a wooden loom. On entering the house my own shape had changed; I now was a woman whose age seemed to constantly shift between young and beautilful and old and exhausted... I remember me thinking that maybe I had lived for a long time in this house, thus my changing shape might reflect all the years spent living here? 

I sat down in front of the loom and started to work. Immediately a feeling of deep meaning and satisfaction filled me: I could see the colored strands of wool weave together and hear the sound my hands on the wooden loom. To my surprise I realized that weaving on this loom was a purely magical act - my lips were reciting incantations as I created a specific pattern from the strands of wool... 

On turning around I saw the back wall of the clay hut covered with hollow-ware of all sorts. Some of them contained herbs and incenses, others parts of animals and liquids. I walked to the back, took one of the clay pots and went back to the loom. From inside the pot I smeared a dark-red liquid on my fingers and started to rub it onto the wool on the loom. Again, I knew this was a magical act for a specific purpose. Maybe to bring the patterns in the wool to live? Yet my body did all movements automatically and I didn't have any specific understanding of it. It felt as if I was a guest in this body, silently observing and lost in the deep yet foreign meaning of its actions...

Finally I got up from the loom and stood in the main door of the clay hut. Night had fallen upon the city and I saw lights burning high up on the ziggurat. Above me, pure and bright I saw the stars in all their constellations. Only then I realized that the eyes in this body were different from my eyes today: Everything looked as if shining from within through them, as if these eyes didn't try to distinguish between living and dead substances. Through these eyes every living and dead body seemed to be clothed in a silverfish spirit body, veiled softly and shimmering around it. Even from the stars I saw living lights streaming down into the streets of the town....

I think it was at this point that the Void started to return. It surrounded myself organically, like mist that raises from the fields... It washed away the lights and colors with darkness. My body had disappeared and I was back flowing in the limitless darkness ofthe Void. I allowed for the cup of water to come forth from the Void and the natural world around me to re-emerge from the water. Then I opened my eyes and drank the water from the white cup.


What I know now on reflection is that the woman on the loom wasn't an earlier incarnation of myself but one of my ancestors. Only now do I understand how important this differentiation is! This explains perfectly why I didn't had any control over her movements and didn't know what she was doing when being inside her body. She simply had allowed me to enter her body. To her I was an ancestral spirit (from the future) visiting her and she willingly had shared her body for a short while with me. When she stepped out of the hut and looked up at the stars, the Void re-appeard - because she had pulled me out of her body...

Next time I return to the city of the ziggurat I need to be much more respectful of her own individuality and being! And I need to find myself a different body so we can talk face to face. 

I am curious to learn about her magical loom and the type of magic she does with it. And maybe I can be of good service to her? I guess it should all start by introducing myself to her, just like any civilized person would do in any ancient or modern times - rather than taking possession of your body out of nowhere? I guess rudnesses like this only are accepted among ancestors...?


Stay with me. A few weeks later I returned to the city of clay. I'll be back posting the second visit shortly... That time my female ancestor told me her name and more about the specific type of magic she is working on.


Read on here