theomagica means 'divine magic'. this page is the front-room of my magical workshop. It's the place where I store things that are done. Things that might be of use to others.

- Frater Acher

Saturnian vs. Venusian Magic

Looking back into 2011 there is a single unexpected realization that stands out for me. It is the stark contrast in most basic approaches to magic between German and British magic over the last century at least. 

Having been brought up in the tradition of German magic it took me more than a decade to realize this simple fact: Where much of British magic revolves around a central pole of workings on the inner realms and bringing through of inner contacts we almost find a complete absence of this concept in the German language tradition.

Let me illustrate this point more clearly: within the works of Dion Fortune, W.G. Gray, Gareth Knight, Dolores Ashcroft-Nowicki and certainly Josephine McCarthy we find a concentration on inner works that is nowhere to be encountered in German magic during the last 100 years. What represents at least one of the core elements in one culture's magical tradition is completely absent in the other. Where in British magic the actual physical ritual only seems to be an expression of inner magic which requires manifestation on the outer realms - it is the most basic physical building block in the world where I come from. 

Mistaking the physical ritual for the actual work you set out to do as a magician is no small mistake to make. And clearly German magicians didn't get caught in this trap entirely. Just like in the British magic literature from 1900 until today we also find in German books long and elaborated explanations of the physical, astral and mental realms (or whichever names the author chose to give them) and how the work of the mage can take effect on and influence all three levels.

However, traveling and working on the inner realms in the language of the inner realms is nothing I ever came across in German magic. Even Pathworking never really made it into the educational books of the tradition I come from. Instead building up your tratak skills, bending candle flames by willpower, torturing your eyes until you see a glimmering hint of an aura and spending countless hours painting pentagrams into the dark of a room with the brush of your index finger are the bricks and mortar laid by a solid German Zelator instead...   

While all the latter exercises are great - and very common Golden Dawn related - training for an aspiring magician they run an essential risk if learned in isolation. And that is to mistake the tracks you are hunting for the actual animal. 

The risk is to become so self-obsessed with the actual training, with the skills you gain, the mental power they yield and the (self-)control you continuously expand that you start to mistake these powers for the goal of magic itself. The risk is to become so self-absorbed with these early yet important stages of magic that you never move on. Because at some point all the hours you sat quietly in your asana, all the magical techniques you taught yourself, all the mechanisms of astral control you perfected, they turn into metal plates on the armor you created for yourself - which now keep from interacting with the living. 

"The magician uses his faith like the surgeon his scalpel."

Many German fellow magicians will have grown up with this (in)famous axiom just like yours truly. Positioning total conscious control as the ultimate goal of the magical process seemed like the only possible road ahead... However, this short saying speaks volumes about the technical approach German magic takes on working with spiritual beings still today. The inner or spiritual realm has been degraded to a hidden bypass for affecting changes on the material realm. It has lost any value or interest in itself, becoming nothing but a medium to change matter in accordance with one's will. 

To me - having been brought up in this tradition magically - there is no difference to the way the scientists treat a monkey in a box, molecules in matter or brain waves of a patient from the way such Saturnian mages treat beings on the inner realms. They thrive of and are driven by a scientific and highly analytical desire for knowledge and control over power. The danger, however, is that this type of magic easily turns into the equivalent of genetic engineering: Both spirits and matter lose their souls, their dignitiy as living beings and the basic right to self-determine their course of actions and way of lives. As magicians of this type we will constantly expand our knowledge and power, and yet always remain utterly isolated. (And no wonder we will need some proper sex magick in the higher degrees to come back to life...)

But let's return to the initial question. Why is it that the magic that emerged from the German circles of Mussallam, Quintscher, Bardon, Gregorius, Spießberger, Duval and ultimately Frater U.D. almost completely lost its inner sight and contact? Why exactly is it that the extensive corpus of German language magic - unpublished even in German still in large parts - is of such an extraordinary technical orSaturnian approach to ritual magic? 

Well, let's use our thinking like a scalpel - or sawed off shotgun to be more honest - and throw out a few hypothesis: 

  • It's not only since Goethe that the story of Faust represents the archetype of any magician in German collective consciousness. The uncompromising, relentless strive for knowledge and insight stands as the central motive of the father figure of many German magicians who followed Faust.
  • 1928 Eugen Grosche (Gregor A. Gregorius) founded the most influential German speaking magical lodge to this date, Fraternitas Saturnis. Still going mostly unrecognized and overshadowed by the O.T.O in English speaking countries this lodge became the home and breeding ground for most of the German magical literature to be published in the decades to come. As the name of the lodge indicates its members are united by a strictly Saturnian approach to magic (even though the planet Saturn finds its own interpretation and occult analysis in their works).
  • Since the early late 19th century we can see an unbroken chain of important women in English magic. However, here is a distinct and embarrassing absence of woman in the German language magical tradition. In the entire era before the 1970s there is not a single native woman to be found who would have left a mark on magic in Germany, Austria or Switzerland.
  • From a spiritual point of view the Second World War left Germany as destroyed and concaved on the inner realms as its bombed cities on the surface. Not only was the German Jewish tradition completely irrecoverably and utterly destroyed but so were most of the occult currents that had flown openly in the short period from the late 19th century to the 1930s. It's not unlikely that many inner contacts retreated from the land after this devastating experience. 

Clearly there are many more elements that could be called out here. Just think of the general reputation of Germans as engineers. Maybe we just carried on with what we knew best when entering the inner realms? 

May this as it be; it is the last of the bullet point above that gives me the creeps... Just think of the photos from the bombed cities in Dresden, Munich, Berlin, etc. What if on a spiritual level the rebuilding has never been completed - and all the darkness of these years is still stuck within the land? How much further healing work will it take to restore this country back to the beauty it deserves? 

Well, I always like to close on a positive note. So maybe a first small step away from an entirely Saturnian approach to magic could look like this? Each time we engage in magic we have a choice. We can continue to take a Saturnian approach - just like we might be used to as German magicians. Or we can do something new and chose its opposite; for lack of a better word let's call it Venusian

As so often in life it's the bridge between these two poles that will allow new and living forces to come through...

Killing the ghosts - or smile while you can

Simplify your Magic - or how to make dreams come true (part 2)